Orquesta Sinfónica de Galicia, Fernando Velázquez's 'Este Soy Yo' came out on November 30, 2018. With Este Soy Yo being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Orquesta Sinfónica de Galicia, Fernando Velázquez's "Los Futbolísimos (Banda Sonora Original)" album is number 1 out of 33. The popularity of Este Soy Yo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Este Soy Yo by Orquesta Sinfónica de Galicia, Fernando Velázquez to be Vivace (lively and fast) because the track has a tempo of 176 テンポ, a half-time of 88テンポ, and a double-time of 352 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Taberna del Puerto, Act II, Scene 1: Eres Blanca y Hermosa (Marola, Juan, Simpson, Coro de hombres) | Pablo Sorozábal, Orquesta Sinfónica de Galicia, Victor Pablo Pérez, Maria Bayo, Juan Pons, Enrique Ba, Orfeon Donostiarra, José Antonio Saenz | F Major | 2 | 7B | 139 BPM | ||
Cello Concerto No. 1, Op. 50, W095: II. Assai moderato | Heitor Villa-Lobos, Orquesta Sinfónica de Galicia, Victor Pablo Pérez, Antonio Meneses | D Minor | 0 | 7A | 94 BPM | ||
Zeller: Der Obersteiger, Act 2: "Sei nicht bös" (Martin) | Carl Zeller, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
El Barberillo de Lavapies: Jota de los Estudiantes | Francisco Asenjo Barbieri, Maria Bayo, Antonio Ros Marbà, Orquesta Sinfónica de Madrid, Carlos Javier Mendez, Javier Medina, Arturo Guanche | D Major | 3 | 10B | 101 BPM | ||
Luisa Fernanda, Acto ii: Escena y cuarteto | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | D Minor | 3 | 7A | 199 BPM | ||
Danses Polovtiennes | Les Chœurs De L'armée Rouge | A Major | 2 | 11B | 44 BPM | ||
Inno delle nazioni: III. Andante mosso | Giuseppe Verdi, Freddie De Tommaso, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | F♯ Major | 1 | 2B | 69 BPM | ||
Cádiz: Federico Chueca / Joaquín Valverde: Orquesta (La Tormenta) [Cádiz / Act.2] | Orquesta Sinfónica de Galicia, Victor Pablo Pérez | C Minor | 5 | 5A | 133 BPM | ||
Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
La Revoltosa | Ataúlfo Argenta | A Major | 2 | 11B | 110 BPM |