"Madama Butterfly (1986 - Remaster), Act I: Viene la sera (Pinkerton/Butterfly/Suzuki)" by Giacomo Puccini, Renata Scotto, Anna Di Stasio, Carlo Bergonzi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma was released on 1967. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 36 in the song's album "Puccini: Madam Butterfly". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Madama Butterfly (1986 - Remaster), Act I: Viene la sera (Pinkerton/Butterfly/Suzuki) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Madama Butterfly (1986 - Remaster), Act I: Viene la sera (Pinkerton/Butterfly/Suzuki) by Giacomo Puccini, Renata Scotto, Anna Di Stasio, Carlo Bergonzi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma having a テンポ of 117 with a half-time of 58 テンポ and a double-time of 234 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 4: O Mimì, tu più non torni - Live | Giacomo Puccini, Rolando Villazón, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy | C Major | 2 | 8B | 116 BPM | ||
Don Giovanni / Act 1: "Fin ch'han dal vino" | Wolfgang Amadeus Mozart, Tom Krause, Vienna Haydn Orchestra, István Kertész | F Major | 6 | 7B | 118 BPM | ||
Adriana Lecouvreur / Act 2: L'anima ho stanca | Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B Minor | 2 | 10A | 175 BPM | ||
Andrea Chénier / Act 4: Come un bel dì di maggio | Umberto Giordano, Roberto Alagna, Sir Mark Elder, Orchestra of the Royal Opera House, Covent Garden | F♯ Minor | 2 | 11A | 83 BPM | ||
Massenet: Werther, Act 3: "Toute mon âme est là! ... Pourquoi me réveiller" (Werther) | Jules Massenet, Georges Prêtre, Nicolai Gedda, Orchestre de Paris | F Major | 1 | 7B | 177 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): A un dottor della mia sorte (Bartolo) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E♭ Major | 3 | 5B | 138 BPM | ||
Tosca / Act II: Dov'è Angelotti? (Scarpia, Cavaradossi, Spoletta, Tosca) | Giacomo Puccini, Katia Ricciarelli, José Carreras, Heinz Zednik, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 87 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Questa è la cameriera (Goro/Pinkerton/Suzuki/Sharpless) | Giacomo Puccini, Anna Di Stasio, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | C Major | 2 | 8B | 98 BPM | ||
Bizet: Carmen, WD 31, Act 2 Scene 5: No. 17b, Cantabile, "La fleur que tu m'avais jetée" (Don José) | Georges Bizet, Roberto Alagna, Michel Plasson, Orchestre National Du Capitole De Toulouse | D♭ Major | 2 | 3B | 87 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Addio, fiorito asil (Pinkerton/Sharpless) | Giacomo Puccini, Carlo Bergonzi, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | G Minor | 2 | 6A | 132 BPM |