"Adriana Lecouvreur / Act 2: L'anima ho stanca" by Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano was released on January 1, 2010. The duration of Adriana Lecouvreur / Act 2: L'anima ho stanca is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Adriana Lecouvreur / Act 2: L'anima ho stanca's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verismo Arias by Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano. The song's track number on the album is #12 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Adriana Lecouvreur / Act 2: L'anima ho stanca is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Adriana Lecouvreur / Act 2: L'anima ho stanca by Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano has a tempo of 175 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Adriana Lecouvreur / Act 2: L'anima ho stanca being at 175 テンポ, the half-time would be 88 テンポ with a double-time of 350 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 1: "Udite, udite, o rustici" - "Così chiaro" | Gaetano Donizetti, Spiro Malas, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | A Major | 3 | 11B | 127 BPM | ||
Lohengrin, WWV 75 / Act 3: "Mein lieber Schwan!" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | D Major | 1 | 10B | 83 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Wandrers Nachtlied II, D. 768 | Franz Schubert, Jonas Kaufmann, Helmut Deutsch | B♭ Major | 0 | 6B | 77 BPM | ||
Verdi: Aïda, Act 1: "Se quel guerrier io fossi!" (Radamès) | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Major | 3 | 6B | 75 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Un amore così grande | Guido Maria Ferilli, Jonas Kaufmann, Asher Fisch | D♭ Minor | 2 | 12A | 86 BPM | ||
Rienzi / Act 5: "Allmächt'ger Vater, blick herab" | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | B♭ Major | 2 | 6B | 79 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Puccini: Madama Butterfly, Act 1: "Quale amania vi prende!" (Pinkerton, Sharpless, Goro, Chorus) | Giacomo Puccini, Nicolai Gedda, Coro Del Teatro Alla Scala Di Milano, Herbert von Karajan, Mario Borriello, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | B♭ Major | 3 | 6B | 86 BPM |