"Grieg: Peer Gynt, Op. 23, Act 1: Wedding March" by Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner was released on 1983. The duration of Grieg: Peer Gynt, Op. 23, Act 1: Wedding March is about 3 minutes long, at 3:11. Based on our data, "Grieg: Peer Gynt, Op. 23, Act 1: Wedding March" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Edvard Grieg, Sir Neville Marriner's "Grieg: Peer Gynt" album is number 2 out of 12. Grieg: Peer Gynt, Op. 23, Act 1: Wedding March is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grieg: Peer Gynt, Op. 23, Act 1: Wedding March by Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2, Op. 9, "Antar": IV. Allegretto - Adagio | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | B Major | 2 | 1B | 100 BPM | ||
The Four Seasons - Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | D♭ Minor | 1 | 12A | 176 BPM | ||
Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
Lyric Pieces, Book 8, Op. 65: Wedding Day At Troldhaugen, Op. 65, No. 6 | BBC Scottish Symphony Orchestra, Edvard Grieg, Richard Hayman | D Major | 2 | 10B | 127 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": III. Nicht schnell | Robert Schumann, Leonard Bernstein, New York Philharmonic | A♭ Major | 1 | 4B | 91 BPM | ||
Serenade for Strings in E, Op.22: 3. Scherzo (Vivace) | Antonín Dvořák, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 87 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Larghetto | Sergei Prokofiev, Yuri Temirkanov | A Major | 0 | 11B | 109 BPM | ||
6 Orchestral Songs, EG 177: No. 5, Last Spring | Edvard Grieg, Inger Dam-Jensen, Palle Knudsen, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 1 | 10B | 67 BPM | ||
La scala di seta: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 2 | 8B | 133 BPM |