Gregorio Huwet, David Parsons made "Fantasy" available on January 1, 2001. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 21 in Elizabethan Lute Music From Robert Dowland's Varietie of Lute Lessons by David Parsons. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Fantasy's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Fantasy by Gregorio Huwet, David Parsons is Vivace (lively and fast), since this song has a tempo of 158 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ain Schone Kunstliche Underweisung, 1523: Woll Kumbt Der May | Hans Judenkünig, Joachim Held | G Minor | 0 | 6A | 130 BPM | ||
Daca, bailemos Carillo | Juan del Encina, ContrArco Consort | F Major | 1 | 7B | 97 BPM | ||
[Suite en la majeur]: VIII. 2e Menuet (No. 24) & Double (No. 25) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 85 BPM | ||
Sonata a 6 in A Minor, G. 14 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | C Major | 2 | 8B | 120 BPM | ||
Trattado de glosas: Recercadas primera y quarta sobre tenores: II. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Premiere suite in D Minor: No. 6, Gigue "La petite" | Marin Marais, François Joubert-Caillet, L'Achéron | E♭ Minor | 2 | 2A | 87 BPM | ||
Le nymphe di Rheno, Op. 8: Sonata No. 1 in B Minor: III. Corrente | Johannes Schenck, Margaret Little, Susie Napper, Les Voix Humaines | A Minor | 1 | 8A | 117 BPM | ||
Pieces in D Minor and A Minor: VI. Canaries | Edward Martin, Thomas Walker | D♭ Minor | 3 | 12A | 94 BPM | ||
Suite in G Minor, BWV 1008: I. Prelude | Johann Sebastian Bach, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Mudarra : Glosa sobre un Kyrie postrero | Heringman | C Minor | 0 | 5A | 96 BPM |