Hans Judenkünig, Joachim Held's 'Ain Schone Kunstliche Underweisung, 1523: Woll Kumbt Der May' came out on May 28, 2021. With Ain Schone Kunstliche Underweisung, 1523: Woll Kumbt Der May being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 38 in the song's album "Nach Willen Dein". In this album, this song's track order is #31. Furthermore, we believe that the track originated from Germany. Based on our statistics, Ain Schone Kunstliche Underweisung, 1523: Woll Kumbt Der May's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ain Schone Kunstliche Underweisung, 1523: Woll Kumbt Der May by Hans Judenkünig, Joachim Held having a テンポ of 130 with a half-time of 65 テンポ and a double-time of 260 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lute Sonata No. 9: II. Alemanda | Giovanni Zamboni, Luciano Còntini | D♭ Minor | 1 | 12A | 92 BPM | ||
Duets for 2 Lutes in a minor and F Major (Losy) - Gavotte | Edward Martin and Paul Berget | B Major | 1 | 1B | 111 BPM | ||
Sonata No. 1 in F Major, ZWV 181, 1: I. Adagio ma non troppo | Jan Dismas Zelenka, Theo Plath, Armand Djikoloum, Olivier Stankiewicz | F Major | 1 | 7B | 143 BPM | ||
Lute Sonata in E-Flat Major, Op. 1, No. 2: I. Largo | Adam Falckenhagen, Andrew Maginley | G Major | 0 | 9B | 137 BPM | ||
Pavin | Innocentio Alberti, Fretwork | F Major | 2 | 7B | 68 BPM | ||
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 41 Allegro, n. 42 Valtz, n. 43 Andantino | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
La Princesse Sarabande | Charles Mouton, Toyohiko Satoh | D♭ Minor | 2 | 12A | 120 BPM | ||
Haulberroys (Attaignant) | Edward Martin | G Minor | 1 | 6A | 82 BPM | ||
Suite in A Major: V. Sarabande | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Das Ander Buch. Ein New Künstlich Lautten Buch, 1549: Nach Willen Dein | Hans Neusidler, Joachim Held | G Minor | 0 | 6A | 130 BPM |