"German Mass, D.872: Credo: Hoch lag die Schöpfung formlos da" by Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Rudolf Scholz, Wiener Symphoniker, Uwe Christian Harrer was released on January 1, 1982. The duration of German Mass, D.872: Credo: Hoch lag die Schöpfung formlos da is about 3 minutes long, at 3:26. Based on our data, "German Mass, D.872: Credo: Hoch lag die Schöpfung formlos da" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Schubert: Deutsche Messe, Messe Nr.2". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. The popularity of German Mass, D.872: Credo: Hoch lag die Schöpfung formlos da is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With German Mass, D.872: Credo: Hoch lag die Schöpfung formlos da by Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Rudolf Scholz, Wiener Symphoniker, Uwe Christian Harrer having a テンポ of 182 with a half-time of 91 テンポ and a double-time of 364 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allein Gott in der Höh sey Ehr, SwWV 299: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Hymne an die Nacht | Ludwig van Beethoven, Meistersinger, Die, Klaus Breuninger | E Major | 1 | 12B | 82 BPM | ||
Deutsche Messe, D. 872: Das Gebet des Herrn: Massig | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Miserere, ZWV 57: II. Miserere II | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Major | 3 | 1B | 58 BPM | ||
Gaude Virgo, Mater Christi: Motete | Capella de Ministrers, Carles Magraner | D Minor | 2 | 7A | 145 BPM | ||
Hristos Anesti | Corul National de Camera Madrigal - Marin Constantin | A Major | 2 | 11B | 175 BPM | ||
Alceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvelles | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Jessye Norman | G Major | 0 | 9B | 84 BPM | ||
The King shall rejoice (Coronation Anthem No. 3, HWV 260): 2. Exceeding glad shall he be | George Frideric Handel, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Sir Neville Marriner | A Major | 2 | 11B | 56 BPM | ||
Mass in C Major, Op. 86: Credo: Et in Spiritum Sanctum | Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 0 | 8B | 136 BPM | ||
Amadis de Gaule, W. G39: Act I Scene VII: Komm zu uns, geniesse Amors Zauber (Chorus of Demons) | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D Major | 1 | 10B | 0 BPM |