"Amadis de Gaule, W. G39: Act I Scene VII: Komm zu uns, geniesse Amors Zauber (Chorus of Demons)" by Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling had its release date on January 1, 1990. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 23 out of 57 in Bach, J.C.: Amadis De Gaule by Johann Christian Bach, Helmuth Rilling. Amadis de Gaule, W. G39: Act I Scene VII: Komm zu uns, geniesse Amors Zauber (Chorus of Demons) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Amadis de Gaule, W. G39: Act I Scene VII: Komm zu uns, geniesse Amors Zauber (Chorus of Demons) by Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling is Larghissimo, since this song has a tempo of 0 テンポ. With that information, we can conclude that the song has a slow tempo.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria, ZWV 30: V. Qui sedes | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | E Major | 1 | 12B | 84 BPM | ||
Missa Sancti Pauli: No. 18, Crucifixus | Francesco Bartolomeo Conti, Adriána Kalafszky, Peter Bárány, Zoltán Megyesi, Thomas Dolie, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 1 | 10B | 94 BPM | ||
Mysliveček: Demetrio: "Sarete al fin contenti" (Cleonice) | Josef Mysliveček, Emőke Baráth, Vaclav Luks | C Major | 1 | 8B | 132 BPM | ||
Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Credo - Allegro - Adagio - Allegro | American Bach Soloists | B♭ Major | 1 | 6B | 63 BPM | ||
Große Messe C Major, op.86: Kyrie | Ludwig van Beethoven, Regine Hangler, Martina Mikelic, Ilker Arkayürek, Christian Hübner, Chor von St. Augustin, Robert Rieder | G Major | 1 | 9B | 92 BPM | ||
Symphony in G Major, Op. 3, No. 6, W. C6: I. Allegro assai | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | D Major | 1 | 10B | 134 BPM | ||
Overture in D Major, Op. 8, No. 2: III. Rondo: Vivace | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 2 | 10B | 137 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 3: Ballo - 1. Grazioso | Christoph Willibald Gluck, Münchener Bach-Orchester, Karl Richter | A Major | 0 | 11B | 100 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Chorus: Beau chevalier va chercher une amie (Handsome knight, find yourself a lady friend) (Page) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Mass No.2 in G, D.167: 1. Kyrie | Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Wiener Symphoniker, Uwe Christian Harrer | B♭ Major | 2 | 6B | 88 BPM |