On March 1, 2006, the song "Overture in D Major, Op. 8, No. 2: III. Rondo: Vivace" was released by Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon. With Overture in D Major, Op. 8, No. 2: III. Rondo: Vivace being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 27 in Arnold, S.: 6 Overtures, Op. 8 / Macbeth (Incidental Music) by Samuel Arnold. Based on our statistics, Overture in D Major, Op. 8, No. 2: III. Rondo: Vivace's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Overture in D Major, Op. 8, No. 2: III. Rondo: Vivace by Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon is Allegro (fast, quick, and bright), since this song has a tempo of 137 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 135 BPM | ||
Overture in G Minor, Z. 772 | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 59 BPM | ||
Andante and Rondo Ungarese for Bassoon and Orchestra, Op.35 | Carl Maria von Weber, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 174 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM | ||
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM | ||
Trumpet Concerto No. 2 in E-Flat Major: I. Allegro ma moderatamente | Johann Wilhelm Hertel, Czech Philharmonic Chamber Orchestra, Petr Skvor, Miroslav Kejmar | E♭ Major | 1 | 5B | 117 BPM | ||
Symphony in G Major: III. Presto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 118 BPM | ||
Symphony No. 16 in B-Flat Major, Hob.I:16: III. Finale: Presto | Joseph Haydn, Toronto Chamber Orchestra, Kevin Mallon | F Major | 2 | 7B | 139 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
I. Allegro | Wolfgang Amadeus Mozart, Hamburger Camerata, Claus Bantzer | D Major | 2 | 10B | 155 BPM |