Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus made "Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna"" available on January 1, 1985. The duration of Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #1. Based on our statistics, Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" by Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Moldau (from Má Vlast): Allegro. The First Source of the Moldau - The Second Source - Woods; Hunt; L'istesso tempo ma moderato. Peasant Wedding; L'istesso tempo. Moonlight | Bedřich Smetana, Chicago Symphony Orchestra, Daniel Barenboim | G Major | 1 | 9B | 142 BPM | ||
Carmina Burana / 2. In Taberna: "Estuans interius" | Carl Orff, Bernd Weikl, Chicago Symphony Orchestra, James Levine | D Minor | 2 | 7A | 135 BPM | ||
Eine Kleine Nachtmusik: Allegro | The Royal Festival Orchestra | G Major | 3 | 9B | 143 BPM | ||
Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
Macbeth: Patria oppressa | Compagnia D'Opera Italiana, Coro della Compagnia D'Opera Italiana, Antonello Gotta | A Minor | 1 | 8A | 169 BPM | ||
Hostage Life | David Majzlin, Renée Fleming | E Minor | 5 | 9A | 97 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, BBC Concert Orchestra, Barry Wordsworth | D♭ Major | 2 | 3B | 87 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Agnus Dei | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Major | 0 | 6B | 79 BPM | ||
Messiah, HWV 56: Part I: He shall feed His flock like a shepherd; Come unto Him (Airs) | George Frideric Handel, Katherine Ciesinski, Judith Blegen, Richard Westenburg | F Major | 1 | 7B | 119 BPM | ||
Pictures At An Exhibition: Ballet Of The Chickens In Their Shells | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F♯ Major | 1 | 2B | 160 BPM |