Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus made "Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna"" available on January 1, 1985. The duration of Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #1. Based on our statistics, Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" by Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Philippe Entremont | C Minor | 2 | 5A | 65 BPM | ||
Puccini: Tosca: "Vissi d'arte" (Tosca, Scarpia) [Live at Palais Garnier, 1958] | Giacomo Puccini, Maria Callas, Tito Gobbi, Georges Sebastian, Orchestre du Théâtre National de l'Opéra de Paris | C Major | 1 | 8B | 109 BPM | ||
Ellens Gesang Iii (Ave Maria!), Op. 52, No. 6, D. 839, "hymne an die Jungfrau" (version for voice and orchestra) | Franz Schubert, Ingrid Kertesi, Camerata De Budapest, Laszlo Kovacs | C Major | 2 | 8B | 81 BPM | ||
Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) | Léo Delibes, Patricia Petibon, Karine Deshayes, Orchestre De L'Opéra National De Lyon, Yves Abel | B Major | 1 | 1B | 172 BPM | ||
L'elisir d'amore (The Elixir of Love): Act II Scene 8: Romance - Una furtiva lagrima | Gaetano Donizetti, Vincenzo La Scola, Alessandra Ruffini, Simone Alaimo, Roberto Frontali, Mariangela Spotorno, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | A♭ Major | 3 | 4B | 176 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Les Contes d'Hoffmann / Act 2: Belle nuit, ô nuit d'amour | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Plácido Domingo, Andre Neury, Pro Arte Choir, Lausanne, Choeur Du Brassus, Choeur de la Radio Suisse Romande, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 77 BPM | ||
Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
Les Troyens / Act 5: No.38 Chanson d'Hylas: "Vallon sonore" | Hector Berlioz, Ryland Davies, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | A♭ Major | 1 | 4B | 81 BPM | ||
6 Hungarian Rhapsodies, S359/R441: 6 Hungarian Rhapsodies, S359/R441: No. 2 in D minor | Franz Liszt, Hungarian State Symphony Orchestra | G Major | 1 | 9B | 76 BPM |