"Macbeth: Patria oppressa" by Compagnia D'Opera Italiana, Coro della Compagnia D'Opera Italiana, Antonello Gotta was released on January 9, 2012. With this song being about 5 minutes long, at 5:25, "Macbeth: Patria oppressa" by Compagnia D'Opera Italiana, Coro della Compagnia D'Opera Italiana, Antonello Gotta is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi's Famous Choruses by Compagnia D'Opera Italiana. The song's track number on the album is #10 out of 11 tracks. The popularity of Macbeth: Patria oppressa is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Macbeth: Patria oppressa by Compagnia D'Opera Italiana, Coro della Compagnia D'Opera Italiana, Antonello Gotta has a tempo of 169 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Macbeth: Patria oppressa being at 169 テンポ, the half-time would be 84 テンポ with a double-time of 338 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Macbeth: ah, la paterna mano | Antonello Gotta, Compagnia D'Opera Italiana, Silvano Sant'Agata | D♭ Major | 2 | 3B | 80 BPM | ||
Quand le bien-aime reviendra | Nicolas Dalayrac, Patrice Michaels, David Schrader | F Major | 1 | 7B | 86 BPM | ||
L'elisir d'amore (The Elixir of Love): Act II Scene 8: Romance - Una furtiva lagrima | Gaetano Donizetti, Vincenzo La Scola, Alessandra Ruffini, Simone Alaimo, Roberto Frontali, Mariangela Spotorno, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | A♭ Major | 3 | 4B | 176 BPM | ||
El Barbero De Sevilla - Alternate Mix | Orquesta Festival De Praga | E Major | 1 | 12B | 81 BPM | ||
Danse macabre, Op. 40, R. 171 - Remastered 2013 | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | G Minor | 2 | 6A | 107 BPM | ||
Nina, o sia la Pazza per Amore: Il mio ben quando verrà | Giovanni Paisiello, Cecilia Bartoli, György Fischer | F Major | 0 | 7B | 69 BPM | ||
La figlia del reggimento: "Convien partir" (Maria) - Full Vocal Version | Gaetano Donizetti, Compagnia D'Opera Italiana, Antonello Gotta, Patrizia Zanardi | D♭ Major | 2 | 3B | 178 BPM | ||
Winter - Concerto No. 4 in F minor RV297: Allegro non molto | Notepad Music | F Minor | 2 | 4A | 149 BPM | ||
I due foscari: Tace il vento, è queta l'onda | Compagnia D'Opera Italiana, Coro della Compagnia D'Opera Italiana, Antonello Gotta | F Major | 2 | 7B | 179 BPM | ||
Stabat Mater: 12. Quando corpus - Amen | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | B♭ Minor | 1 | 3A | 121 BPM |