"Puccini: Madama Butterfly, Act 2, Scene 1: "Sai cos'ebbe cuore di pensare" (Butterfly, Sharpless)" by Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Fabio Maria Capitanucci, Orchestra dell'Accademia Nazionale di Santa Cecilia had its release date on February 27, 2009. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 46 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #6. Puccini: Madama Butterfly, Act 2, Scene 1: "Sai cos'ebbe cuore di pensare" (Butterfly, Sharpless) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Madama Butterfly, Act 2, Scene 1: "Sai cos'ebbe cuore di pensare" (Butterfly, Sharpless) by Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Fabio Maria Capitanucci, Orchestra dell'Accademia Nazionale di Santa Cecilia having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Puccini: Tosca, Act 1 Scene 5: "Ah, quegli occhi…" (Tosca, Cavaradossi) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Sinfonia | Gioachino Rossini, Riccardo Chailly | E Major | 2 | 12B | 92 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 4 Scene 2: "Suicidio! … In questi fieri momenti" (Gioconda) | Amilcare Ponchielli, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | F♯ Minor | 1 | 11A | 90 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Massenet: Le Cid, Act 3: "O Souverain, Ô Juge, Ô Père" (Rodrigue) | Jules Massenet, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | G Major | 2 | 9B | 71 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Preludio Sinfonico | Giacomo Puccini, Hungarian Operetta Orchestra, Pier Giorgio Morandi | A Major | 0 | 11B | 59 BPM | ||
À Chloris | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 185 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM |