"Massenet: Le Cid, Act 3: "O Souverain, Ô Juge, Ô Père" (Rodrigue)" by Jules Massenet, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic was released on August 1, 1994. With this song being about 5 minutes long, at 5:00, "Massenet: Le Cid, Act 3: "O Souverain, Ô Juge, Ô Père" (Rodrigue)" by Jules Massenet, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 27 in the song's album "The Three Tenors in Concert, 1994". In this album, this song's track order is #1. Massenet: Le Cid, Act 3: "O Souverain, Ô Juge, Ô Père" (Rodrigue) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Massenet: Le Cid, Act 3: "O Souverain, Ô Juge, Ô Père" (Rodrigue) by Jules Massenet, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Bacio | Luigi Arditi, Olga Peretyatko, Enrique Mazzola | D Major | 1 | 10B | 96 BPM | ||
Requiem, Op. 48: 4. Pie Jesu | Gabriel Fauré, Kiri Te Kanawa, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 0 | 6B | 88 BPM | ||
Core ‘ngrato | Roberto Alagna, London Orchestra, Yvan Cassar | E♭ Major | 3 | 5B | 74 BPM | ||
Ombre légère | Giacomo Meyerbeer, Anna Moffo, Tullio Serafin | D♭ Major | 1 | 3B | 112 BPM | ||
Rondine al nido: Rondine al nido | Vincenzo de Crescenzo, Luciano Pavarotti, Andrea Griminelli, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | G Major | 3 | 9B | 75 BPM | ||
Gold And Silver Waltz (Gold und Silber/L'or et l'argent) | Franz Lehár, Strauss Festival Orchestra, Peter Guth | C Major | 2 | 8B | 175 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
Bellini: I Puritani, Act 2: "O, rendetemi la speme" (Elvira) | Vincenzo Bellini, Maria Callas, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | E♭ Major | 2 | 5B | 90 BPM | ||
Puccini: Tosca, Act 3: "E lucevan le stelle" (Cavaradossi) | Giacomo Puccini, Zubin Mehta, Orchestra Sinfonica di Roma della RAI, Plácido Domingo | A♭ Major | 0 | 4B | 181 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM |