Kurt Weill, Ensemble Modern, H.K. Gruber, Max Raabe made "Die Dreigroschenoper: Moritat von Mackie Messer" available on March 29, 1999. The duration of Die Dreigroschenoper: Moritat von Mackie Messer is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Die Dreigroschenoper: Moritat von Mackie Messer's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kurt Weill, Ensemble Modern, H.K. Gruber's "Kurt Weill: Die Dreigroschenoper" album is number 2 out of 28. Based on our statistics, Die Dreigroschenoper: Moritat von Mackie Messer's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Die Dreigroschenoper: Moritat von Mackie Messer by Kurt Weill, Ensemble Modern, H.K. Gruber, Max Raabe to be Allegro (fast, quick, and bright) because the track has a tempo of 152 テンポ, a half-time of 76テンポ, and a double-time of 304 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Choral: Wachet auf, ruft uns die Stimme BWV 645 | The Swingle Singers | B♭ Minor | 1 | 3A | 83 BPM | ||
Dichterliebe, Op. 48: 1. Im wunderschönen Monat Mai | Robert Schumann, Fritz Wunderlich, Hubert Giesen | B Minor | 0 | 10A | 74 BPM | ||
I'm a Stranger Here Myself | Kurt Weill, Dagmar Peckova, Epoque Quartet, Epoque Orchestra, Miroslav Hloucal Jazz Band, Jan Kučera | E♭ Minor | 3 | 2A | 112 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 2, September | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | D Major | 1 | 10B | 70 BPM | ||
The Bohemian Girl - Arr. By Karel Mark Chichon: I Dreamt I Dwelt In Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
L’opéra de quat'sous, Act II: Duo de la jalousie | Kurt Weill, Le Balcon, Maxime Pascal, Claïna Clavaron, Marie Oppert | E Major | 3 | 12B | 115 BPM | ||
Simple Symphony, Op. 4: "Playful Pizzicato" from Simple Symphony, Op. 4 | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM | ||
Delibes: Lakmé, Act II: "Par les dieux inspirés" - Air des clochettes. "Où va la jeune hindoue" (Lakmé, Nilakantha, Chorus) | Léo Delibes, Natalie Dessay, Choeur Du Capitole De Toulouse, José van Dam, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 1 | 11B | 124 BPM | ||
Requiem, Op.48: 4. Pie Jesu | Gabriel Fauré, Kathleen Battle, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | E♭ Major | 0 | 5B | 89 BPM | ||
Amarcord - Suite: 2. La Fogaraccia | Nino Rota, Filarmonica della Scala, Riccardo Chailly | D Major | 6 | 10B | 132 BPM |