Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung's 'Turangalîla Symphonie: 5. Joie du sang des étoiles' came out on January 1, 1991. Since Turangalîla Symphonie: 5. Joie du sang des étoiles is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre De La Bastille, Myung-Whun Chung's "Messiaen: Turangalîla Symphony" album is number 5 out of 10. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Turangalîla Symphonie: 5. Joie du sang des étoiles's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalîla Symphonie: 5. Joie du sang des étoiles by Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung to be Allegro (fast, quick, and bright) because the track has a tempo of 121 テンポ, a half-time of 60テンポ, and a double-time of 242 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Enigma Variations: Variation XI. G.R.S - Allegro di molto | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | D Major | 2 | 10B | 164 BPM | ||
Les Pêcheurs de perles, Act II: La, la, la...! L'ombre descend des cieux (Villagers) | Georges Bizet, Choeurs de l'Opéra National de Paris/Jean LaForge/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 0 | 12B | 79 BPM | ||
Schoenberg: 3 Piano Pieces, Op. 11: No. 1 Mässig (Viertel) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A♭ Major | 0 | 4B | 103 BPM | ||
Wagner: Siegfried: Forest Murmurs | Richard Wagner, Philippe Jordan, Orchestre de l'Opéra National de Paris | A Major | 0 | 11B | 67 BPM | ||
Les Pêcheurs de perles, Act I: C'est toi, toi qu'enfin je revois (Zurga, Nadir) | Georges Bizet, Alain Vanzo, Guillermo Sarabia, Orchestre de l'Opéra National de Paris, Georges Prêtre, Paris Opera Orchestra | A Major | 1 | 11B | 110 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Gefahrtin (The Hero's Companion) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | B♭ Major | 0 | 6B | 136 BPM | ||
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM |