Gaetano Donizetti, Agnes Baltsa, Simone Alaimo, Iris Vermillion, Francesco Ellero D'Artegna, Edita Gruberova, Francisco Araiza, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè's ' "Maria Stuarda / Act 2: "Va, preparati, furente"" was released on its scheduled release date, January 1, 1990. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Maria Stuarda / Act 2: "Va, preparati, furente"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 30 in Donizetti: Maria Stuarda by Gaetano Donizetti, Agnes Baltsa, Simone Alaimo, Francisco Araiza, Francesco Ellero D'Artegna, Edita Gruberova, Iris Vermillion, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Maria Stuarda / Act 2: "Va, preparati, furente" is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Maria Stuarda / Act 2: "Va, preparati, furente" by Gaetano Donizetti, Agnes Baltsa, Simone Alaimo, Iris Vermillion, Francesco Ellero D'Artegna, Edita Gruberova, Francisco Araiza, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè is Andante (at a walking pace), since this song has a tempo of 107 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 1 | 5B | 82 BPM | ||
Canzonetta spagnuola | Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni | D Major | 4 | 10B | 103 BPM | ||
L'elisir d'amore / Act 2: "Ei corregge ogni difetto" | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 3 | 6B | 126 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Carmen, Act I, No.3 Choeur des Gamins: Rècit: Une jeune fille charmante (Moralès/Don José)Et la garde descendante rentre chez elle et s'en va (Enfants) | Georges Bizet, Ludovic Tézier/Roberto Alagna/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 1 | 8B | 126 BPM | ||
Di quella pira | Mario del Monaco | C Major | 3 | 8B | 172 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | ||
Mon coeur s'ouvre à ta voix | Camille Saint-Saëns, Christa Ludwig, Giuseppe Patanè | C Major | 1 | 8B | 77 BPM | ||
La Damnation de Faust, Part III, Scène 1: "Merci, doux crépuscule!" | Hector Berlioz, Jonas Kaufmann, Bertrand de Billy | F Major | 0 | 7B | 82 BPM |