Johann Joseph Fux, Monica Piccinini, Marianne Beate Kielland, Ensemble Zefiro, Alfredo Bernardini's ' "La corona d’Arianna: Aria. Questi, o Teti, è il chiaro Nume (Venere, Teti)" was released on its scheduled release date, September 22, 2023. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 42 in Fux: La corona d’Arianna by Johann Joseph Fux, Ensemble Zefiro, Alfredo Bernardini, Arnold Schoenberg Chor. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, La corona d’Arianna: Aria. Questi, o Teti, è il chiaro Nume (Venere, Teti) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of La corona d’Arianna: Aria. Questi, o Teti, è il chiaro Nume (Venere, Teti) by Johann Joseph Fux, Monica Piccinini, Marianne Beate Kielland, Ensemble Zefiro, Alfredo Bernardini is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin in G Minor, BWV 1056r: II. Largo | Johann Sebastian Bach, Combattimento | B♭ Major | 1 | 6B | 120 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM | ||
Languet anima mea BWV deest 1006: V. Alleluja | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | D♭ Minor | 2 | 12A | 120 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: Sinfonia melodica in C Major, TWV 50:2: II. Sarabande | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B♭ Major | 5 | 6B | 79 BPM | ||
Sonate III in F Major: I. Adagio | Élisabeth Jacquet de La Guerre, Ingrid Matthews, Byron Schenkman, Margriet Tindemans | A Major | 1 | 11B | 106 BPM | ||
Christ lag in Todes Banden, BWV 4: IV. Aria "Jesus Christus, Gottes Sohn" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Thomas Hobbs | E Major | 4 | 12B | 101 BPM | ||
Concerto Armonico I: II. Allegro | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 3 | 3B | 115 BPM |