"Janáček: Glagolitic Mass: III. Kyrie (1927 Version)" by Leoš Janáček, Orchestre Philharmonique De Strasbourg, Czech Philharmonic Choir of Brno, Malin Byström, Marko Letonja was released on April 15, 2022. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leoš Janáček, Orchestre Philharmonique De Strasbourg, Marko Letonja's "Janáček: Glagolitic Mass, Sinfonietta" album is number 3 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Janáček: Glagolitic Mass: III. Kyrie (1927 Version) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Janáček: Glagolitic Mass: III. Kyrie (1927 Version) by Leoš Janáček, Orchestre Philharmonique De Strasbourg, Czech Philharmonic Choir of Brno, Malin Byström, Marko Letonja to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Visions fugitives, Op. 22: No. 8, Commodo | Sergei Prokofiev, Laurent Cabasso | A Major | 1 | 11B | 83 BPM | ||
24 Preludes For Piano, Op.11: No. 11 In B | Alexander Scriabin, Yuja Wang | B Major | 0 | 1B | 67 BPM | ||
Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM | ||
Marionnettes, Op. 29 | Anatoly Lyadov, Yoko Kikuchi | E♭ Major | 1 | 5B | 122 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Oboe Concerto, Op. 20: II. Andante | Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba | A Minor | 1 | 8A | 120 BPM | ||
Ave verum corpus, K. 618 (Transcr. Liszt for Solo Piano) | Wolfgang Amadeus Mozart, Víkingur Ólafsson | B Major | 0 | 1B | 115 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 2: "Což pak už mne nemáš rád?" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Andrew Staples | A♭ Minor | 2 | 1A | 85 BPM | ||
Four Fairy Tales (Skazki), Op.26: No.3 In F Minor | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM |