Anatoly Lyadov, Yoko Kikuchi's 'Marionnettes, Op. 29' came out on June 1, 2007. Marionnettes, Op. 29 is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The track order of this song in Anatoly Lyadov, Yoko Kikuchi's "Liadov: Piano Works" album is number 11 out of 16. Based on our statistics, Marionnettes, Op. 29's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Marionnettes, Op. 29 by Anatoly Lyadov, Yoko Kikuchi to be Allegro (fast, quick, and bright) because the track has a tempo of 122 テンポ, a half-time of 61テンポ, and a double-time of 244 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 11, Scene. Allegro moderato - Moderato - Allegro vivo | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 68 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Orlando / Act 3: Sorge infausta una procella | George Frideric Handel, Ildebrando D'Arcangelo, Modo Antiquo, Federico Maria Sardelli | D Major | 1 | 10B | 132 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 77: IIIb. Cadenza | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo-Filharmonien | D Major | 1 | 10B | 85 BPM | ||
Suite Mágica: II. Vals | Maximo Diego Pujol, Duo Multicorde | F♯ Minor | 2 | 11A | 97 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: V. Finale. Allegro vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 81 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM |