Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra made "El barberillo de Lavapiés, Acto II: Paloma y Lamparilla" available on August 15, 2019. El barberillo de Lavapiés, Acto II: Paloma y Lamparilla is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The song is number 8 out of 11 in El barberillo de Lavapiés (Zarzuela en Tres Actos) by Ataulfo Argenta, Gran Orquesta Sinfónica, Coro de Cámara del Orfeón Donostiarra, Ana María Olari. In terms of popularity, El barberillo de Lavapiés, Acto II: Paloma y Lamparilla is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of El barberillo de Lavapiés, Acto II: Paloma y Lamparilla by Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Gil de Alcalá: "Acto II": Todas las Mañanitas: "Habanera" | Manuel Penella, Ataúlfo Argenta | B♭ Major | 2 | 6B | 89 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Rigoletto, Act I: Questa o Quella | Enrico Caruso | E♭ Major | 1 | 5B | 63 BPM | ||
Los Nardos | Unidad de Música de la Guardia Real | F Minor | 3 | 4A | 80 BPM | ||
Cavalleria rusticana: Part II: Mamma, mamma! Quel vino e generoso (Turiddu, Lucia, Santuzza, A Woman) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 133 BPM | ||
El Barberillo de Lavapiés: "Canción de Paloma" | Teresa Berganza | A Major | 5 | 11B | 144 BPM | ||
Preludio (Agua, Azucarillos y Aguardiente) - Remasterizado | Ataúlfo Argenta | B♭ Major | 6 | 6B | 71 BPM | ||
Diez Melodías Vascas - Religiosa | Jesús Guridi, Ataúlfo Argenta | B♭ Minor | 0 | 3A | 71 BPM | ||
Ay! Maricruz (Pasodoble) | Real Orquesta Sinfónica de Sevilla, Spanish Folklore | E Minor | 2 | 9A | 110 BPM | ||
Moros y Cristianos: "Preludio / La cucaña más vale fuerza que maña (Melchor) " - Remastered | Maximiliano Thous, Elías Cerdá, Jose Serrano, Gregorio Gil, Ataúlfo Argenta, Jose Perera, Julian Perera, Orquesta Sinfonica | C Major | 3 | 8B | 108 BPM |