On May 17, 1991, the song "El Barberillo de Lavapiés: "Canción de Paloma"" was released by Teresa Berganza. The duration of El Barberillo de Lavapiés: "Canción de Paloma" is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. El Barberillo de Lavapiés: "Canción de Paloma"'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 24 Grandes Éxitos de Zarzuela, Vol. 1, so we believe that "El Barberillo de Lavapiés: "Canción de Paloma"" is a single. Based on our statistics, El Barberillo de Lavapiés: "Canción de Paloma"'s popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of El Barberillo de Lavapiés: "Canción de Paloma" by Teresa Berganza is Allegro (fast, quick, and bright), since this song has a tempo of 144 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Boda de Luis Alonso | Ataúlfo Argenta | E Major | 5 | 12B | 111 BPM | ||
El Año Pasado por Agua: "Mazurca: Hágame Usté el Favor" | Ana Maria Iriarte, Gerardo Monreal, Carlos S. Luque | B♭ Major | 3 | 6B | 140 BPM | ||
Bombones de Viena | Gran Orquesta Vienesa | F Major | 4 | 7B | 182 BPM | ||
Die Fledermaus / Act 2: Nr.6 Introduktion: "Ein Souper heut uns winkt" | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber, Chor der Bayerischen Staatsoper München, Wolfgang Baumgart | E Major | 4 | 12B | 112 BPM | ||
"Habanera: Canta Y No Llores" (Don Gil De Alcala) - Remasterizado | Teresa Berganza, Lina Huarte | B♭ Major | 4 | 6B | 97 BPM | ||
La Verbena de la Paloma: Seguidillas | Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Renato Cesari | A Major | 3 | 11B | 82 BPM | ||
Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
Massenet: Don Quichotte, Act 1: Sérénade. "Quand apparaissent les étoiles" (Don Quichotte, Juan, Dulcinée) | Jules Massenet, Michel Plasson, José van Dam, Nicolas Rivenq, Teresa Berganza, Orchestre Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Gigantes y Cabezudos: "Coro de repatriados" | Orfeon Donostiarra, Carlos Munguia | G Major | 3 | 9B | 99 BPM | ||
El barberillo de Lavapiés, Acto I: Lamparilla, Majas, Estudiantes, Majos y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Gran Orquesta Sinfonica, Teresa Berganza, Coro De Camara Del Orfeon Donostiarra, Carlos Munguia, Francisco Asenjo Barbieri | G Major | 4 | 9B | 116 BPM |