Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber, Chor der Bayerischen Staatsoper München, Wolfgang Baumgart made "Die Fledermaus / Act 2: Nr.6 Introduktion: "Ein Souper heut uns winkt"" available on January 1, 1976. With Die Fledermaus / Act 2: Nr.6 Introduktion: "Ein Souper heut uns winkt" being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #1. In terms of popularity, Die Fledermaus / Act 2: Nr.6 Introduktion: "Ein Souper heut uns winkt" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Die Fledermaus / Act 2: Nr.6 Introduktion: "Ein Souper heut uns winkt" by Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber, Chor der Bayerischen Staatsoper München, Wolfgang Baumgart having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Freischütz, J. 277 / Act 3: "Wir winden dir den Jungfernkranz" | Carl Maria von Weber, Renate Hoff, Renate Krahmer, Ingeborg Springer, Brigitte Pfretzschner, Ingrid Hille, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 0 | 8B | 99 BPM | ||
Tristan und Isolde / Act 1: "Auf! Auf! Ihr Frauen!" | Richard Wagner, Margaret Price, Brigitte Fassbaender, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 78 BPM | ||
Bluebeard's Castle, Sz. 48 (Op.11): Door 5. "Ah!" "Lásdez az én birodalmam" | Béla Bartók, Dietrich Fischer-Dieskau, Bavarian State Orchestra, Wolfgang Sawallisch | F Major | 1 | 7B | 84 BPM | ||
Jenufa / Act 2: Co chvila ... co chvila | Leoš Janáček, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 77 BPM | ||
La Traviata / Act 3: "Ah, Violetta!" - "Voi? Signor?" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A Minor | 1 | 8A | 105 BPM | ||
Die Fledermaus / Act II: Polka "Unter Donner und Blitz", Op. 324 | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | G Major | 7 | 9B | 89 BPM | ||
Bluebeard's Castle, Sz. 48 (Op.11): Door 3. "Oh, be sok kincs! Oh, be sok kincs!" | Béla Bartók, Julia Varady, Bavarian State Orchestra, Wolfgang Sawallisch | F Major | 1 | 7B | 84 BPM | ||
La Sonnambula / Act 2: Ah! non giunge uman pensiero | Vincenzo Bellini, Dame Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 2 Scene 1: "Si, fino all’ore estreme" | Vincenzo Bellini, Cecilia Bartoli, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | F Major | 5 | 7B | 135 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM |