"Troisième leçon à deux voix: Mem. De excelso misit" by François Couperin, Gérard Lesne, Steve Dugardin, Il Seminario Musicale was released on December 3, 1991. With Troisième leçon à deux voix: Mem. De excelso misit being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 23 in François Couperin: Office des Ténèbres by Gérard Lesne, Il Seminario Musicale. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Troisième leçon à deux voix: Mem. De excelso misit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Troisième leçon à deux voix: Mem. De excelso misit by François Couperin, Gérard Lesne, Steve Dugardin, Il Seminario Musicale is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Música Callada III | Federico Mompou, Javier Perianes | B♭ Major | 0 | 6B | 74 BPM | ||
Concerts royaux, Concerto No. 4 in E Minor: VI. Rigaudon | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Toccata in G Minor (Arr. E. Netzer for Harp) | Alessandro Scarlatti, Elisa Netzer | C Minor | 1 | 5A | 100 BPM | ||
Piano Piece No. 23 | Giya Kancheli, Anna Gourari | F Major | 0 | 7B | 162 BPM | ||
Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | C Minor | 0 | 5A | 84 BPM | ||
Solomon, HWV 67: The Arrival Of The Queen Of Sheba | Georg Friedrich Händek, Robert Haydon Clark, Consort of London | B♭ Major | 3 | 6B | 120 BPM | ||
Keyboard Sonata in F Minor, K. 466 - Upright Version | Domenico Scarlatti, Julius Asal | F Minor | 0 | 4A | 82 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro | Johann Christian Bach, Daniil Trifonov | A Major | 1 | 11B | 135 BPM |