"Concerto for 2 Trumpets in C Major, RV 537: II. Largo" by Antonio Vivaldi, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr was released on October 16, 2001. With Concerto for 2 Trumpets in C Major, RV 537: II. Largo being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 32 in Baroque Trumpet (The Art Of The), Vol. 5 by Wasa Baroque Ensemble, Edward H. Tarr. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Concerto for 2 Trumpets in C Major, RV 537: II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for 2 Trumpets in C Major, RV 537: II. Largo by Antonio Vivaldi, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr is Grave (very slow), since this song has a tempo of 44 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Albinoni: Concerto for Two Oboes in F Major, Op. 9 No. 3: III. Allegro | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | G Major | 2 | 9B | 133 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): V. Giga (Allegro) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F Minor | 0 | 4A | 124 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Concerto Grosso in D Minor, Op. 3, No. 4: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 4 | 7A | 105 BPM | ||
Concerto in D Minor, RV 565: I. Allegro | Antonio Vivaldi, Manuel Tomadin, Gioele Gusberti, Paolo Monetti, Manuel Staropoli, Pietro Prosser | D♭ Minor | 2 | 12A | 113 BPM | ||
Trio Sonata in G Minor: III. Largo | Johann Friedrich Fasch, Danubius Ensemble | G Minor | 1 | 6A | 86 BPM | ||
Sonata in G minor, HWV 364a: I. Larghetto | George Frideric Handel, Riccardo Minasi | D Minor | 1 | 7A | 170 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: V. Allegro assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Alain Gervreau | F♯ Major | 3 | 2B | 124 BPM | ||
Trio Sonata in G Minor, Op. 6 No. 7: III. Giga. Presto | Francesco Antonio Bonporti, London Baroque | E Major | 1 | 12B | 106 BPM |