Francesco Antonio Bonporti, London Baroque made "Trio Sonata in G Minor, Op. 6 No. 7: III. Giga. Presto" available on March 26, 2013. With Trio Sonata in G Minor, Op. 6 No. 7: III. Giga. Presto being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "The trio sonata in 18th century italy". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Trio Sonata in G Minor, Op. 6 No. 7: III. Giga. Presto is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Trio Sonata in G Minor, Op. 6 No. 7: III. Giga. Presto by Francesco Antonio Bonporti, London Baroque having a テンポ of 106 with a half-time of 53 テンポ and a double-time of 212 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
Les nations, Troisième ordre "L'impériale": I. Sonade. Gravement - Vivement et marquée | François Couperin, London Baroque | D♭ Major | 3 | 3B | 118 BPM | ||
Suite à 3 in G Minor (Ed. R. Gwilt): X. Plainte | Marin Marais, London Baroque | F♯ Minor | 2 | 11A | 113 BPM | ||
Concerto in F Major, S. 235: II. Andante | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 118 BPM | ||
Sonata A Violino Solo Di Me Tomaso Albinoni Coposta Per Il Signor Pisendel In Bb, S. 32: Allegro | Tomaso Albinoni, La Serenissima, Adrian Chandler, violin | B♭ Major | 3 | 6B | 119 BPM | ||
Mystery (Rosary) Sonata No. 5, "The 12-Year-Old Jesus in the Temple": II. Allaman | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 1 | 4B | 82 BPM | ||
12 Trio Sonatas, Op.1, Sonata No. 1 In F Major: III. Adagio | Arcangelo Corelli, London Baroque, Charles Medlam | E Major | 3 | 12B | 122 BPM | ||
Concerto in E-Flat Major for Violin, RV 258: II. Largo | Antonio Vivaldi, Giuliano Carmignola, Andrea Marcon, Venice Baroque Orchestra | D♭ Major | 1 | 3B | 88 BPM | ||
Les Éléments: II. [Loure I :] La Terre | Jean-Féry Rebel, Jordi Savall, Le Concert Des Nations | D♭ Major | 1 | 3B | 113 BPM | ||
La superbe (Ed. R. Gwilt): I. — | François Couperin, London Baroque | B Minor | 0 | 10A | 188 BPM |