Alberto Ginastera, Gabriel Urgell Reyes's 'Danzas Argentinas, Op. 2: III. Danza del Gaucho Matrero (Furiosamente ritmico e energico)' came out on October 6, 2014. The duration of Danzas Argentinas, Op. 2: III. Danza del Gaucho Matrero (Furiosamente ritmico e energico) is about 3 minutes long, at 3:05. Based on our data, "Danzas Argentinas, Op. 2: III. Danza del Gaucho Matrero (Furiosamente ritmico e energico)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gabriel Urgell Reyes's "Meeting Ginastera, Vol. 1: Piano and Art Works by Alberto Ginastera & Carlos Fariñas" album is number 7 out of 22. On top of that, France appears to be the country where this track was created. Danzas Argentinas, Op. 2: III. Danza del Gaucho Matrero (Furiosamente ritmico e energico) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Danzas Argentinas, Op. 2: III. Danza del Gaucho Matrero (Furiosamente ritmico e energico) by Alberto Ginastera, Gabriel Urgell Reyes to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 1. Molto allegro con fuoco | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | A♭ Major | 2 | 4B | 80 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Introduction | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 69 BPM | ||
Kinderszenen, Op.15: 13. Der Dichter spricht | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 169 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 99 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
3 Pieces, Op. 45: I. Feuillet d'Album | Alexander Scriabin, Alexander Melnikov | E♭ Major | 0 | 5B | 71 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM | ||
Danzas argentinas, Op. 2: I. Danza del viejo boyero (Animato allegro) | Alberto Ginastera, Francois Xavier Poizat | D Major | 2 | 10B | 113 BPM |