"Clarion Call" by Paul Siskind, Filharmonie Brno, Mikel Toms, Silas Brown was released on April 7, 2015. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Orchestral Masters, Vol. 2". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Australia. In terms of popularity, Clarion Call is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Clarion Call by Paul Siskind, Filharmonie Brno, Mikel Toms, Silas Brown having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": III. Perpetuum mobile | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | B♭ Minor | 3 | 3A | 90 BPM | ||
A Child of our Time, Part I: The Argument. Man has measured the heavens with a telescope (Alto) | Michael Tippett, Sarah Connolly, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Gloriosa dicta sunt | Carl Martin Reinthaler, Vytautas Miskinis, Jugendkantorei Des Wurzener Domes, Johannes Dickert | D Major | 1 | 10B | 107 BPM | ||
Considering Matthew Shepard: Passion, 7. The Fence (that night) | Craig Hella Johnson, Conspirare | D Minor | 1 | 7A | 104 BPM | ||
Elegie | Andy Scott | C Major | 0 | 8B | 79 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: VI. The Chase | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F♯ Minor | 2 | 11A | 107 BPM | ||
Lay a Garland | Robert Lucas Pearsall, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 2 | 5B | 80 BPM | ||
Eylsian Fields | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM | ||
Choirs of Eternity | LeoRoads | B Minor | 2 | 10A | 80 BPM |