"Requiem in D Minor, K. 626: III. Sequentia: Recordare" by Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien was released on July 12, 2004. Requiem in D Minor, K. 626: III. Sequentia: Recordare is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Nikolaus Harnoncourt's "Mozart: Requiem" album is number 6 out of 14. On top of that, Germany appears to be the country where this track was created. Requiem in D Minor, K. 626: III. Sequentia: Recordare is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D Minor, K. 626: III. Sequentia: Recordare by Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien to be Larghetto (rather broadly) because the track has a tempo of 61 テンポ, a half-time of 30テンポ, and a double-time of 122 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte, K. 620, Act II No. 11: Duett - Bewahret euch vor Weibertucken | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | D Major | 1 | 10B | 94 BPM | ||
Così fan tutte, K. 588 / Act I: "Ah, guarda, sorella" | Wolfgang Amadeus Mozart, Angela Brower, Miah Persson, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E♭ Major | 1 | 5B | 167 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Messa da Requiem: II. Dies irae: Ingemisco tamquam | Giuseppe Verdi, Nikolaus Harnoncourt, Wiener Philharmoniker | E♭ Major | 0 | 5B | 85 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2c. Gloria: Gratias | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 2 | 8B | 73 BPM | ||
Die Zauberflöte, K. 620 / Zweiter Aufzug: "Ach, ich fühl's, es ist verschwunden" | Wolfgang Amadeus Mozart, Evelyn Lear, Berliner Philharmoniker, Karl Böhm | G Major | 2 | 9B | 127 BPM | ||
Concerto for 3 Pianos and Orchestra (No. 7) in F, K.242 "Lodron" - arr. Mozart for 2 pianos: 2. Adagio | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 56 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2: "O Isis und Osiris" (Sarastro, Chorus) | Wolfgang Amadeus Mozart, Bernard Haitink, Roland Bracht, Bavarian Radio Symphony Orchestra | C Major | 0 | 8B | 98 BPM | ||
Messa da Requiem: II. Dies irae: Lacrimosa | Giuseppe Verdi, Nikolaus Harnoncourt, Wiener Philharmoniker | B♭ Minor | 1 | 3A | 132 BPM | ||
Missa Brevis In C Major Kv 220, Spatzenmesse: Benedictus | Nicol Matt, Reinhard Geller, Daniel Sans, Christof Fischesser, Barbara Werner, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Jens Wollenschläger, Wolfgang Amadeus Mozart, Petra Labitzke | G Major | 1 | 9B | 87 BPM |