"Romeo and Juliette, Act I: L'heure s'envole" by Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse was released on 1998. The duration of Romeo and Juliette, Act I: L'heure s'envole is about 3 minutes long, at 3:00. Based on our data, "Romeo and Juliette, Act I: L'heure s'envole" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Charles Gounod, Michel Plasson's "Gounod: Roméo et Juliette" album is number 3 out of 67. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Romeo and Juliette, Act I: L'heure s'envole is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romeo and Juliette, Act I: L'heure s'envole by Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse to be Moderato (at a moderate speed) because the track has a tempo of 111 テンポ, a half-time of 56テンポ, and a double-time of 222 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
"Io son l'umile ancella" | Francesco Cilea, Montserrat Caballé, Gianfranco Masini | A♭ Major | 1 | 4B | 107 BPM | ||
Wagner: Lohengrin, Act 3: "Heil! König Heinrich!" (Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin | F Minor | 0 | 4A | 83 BPM | ||
Pomme d'Api: Bonjour Monsieur, je suis la bonne (Couplet) | Jacques Offenbach, Vesselina Kasarova, Ulf Schirmer | D Major | 0 | 10B | 78 BPM | ||
Romeo and Juliette, Act I: Allons! Jeunes gens! Allons! Belles dames! | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Pour séduire Alcmène..(Minerve/Choeur/Diane/Cupidon/Venus/Pluton) | Jacques Offenbach, Jean-Paul Fouchécourt/Patricia Petibon/Jennifer Smith/Véronique Gens/Virginie Pochon/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 2 | 9B | 111 BPM | ||
Carmen, Act II: No.13 Choeur : Vivat! vivat le Torero! (Amis d'Escamillo/Zuniga/Carmen/Frasquita/Mercédès/Moralès) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 3 | 8B | 59 BPM | ||
Petrouchka: Fête populaire de la semaine grasse | Ferenc Fricsay, Berliner Philharmoniker | B♭ Major | 5 | 6B | 73 BPM | ||
Chansons de Marjolie: No. 3, Celui que j’aime | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | A Major | 1 | 11B | 89 BPM |