""Io son l'umile ancella"" by Francesco Cilea, Montserrat Caballé, Gianfranco Masini was released on 1965. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "The Essential Montserrat Caballé [International Version]". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Spain. In terms of popularity, "Io son l'umile ancella" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With "Io son l'umile ancella" by Francesco Cilea, Montserrat Caballé, Gianfranco Masini having a テンポ of 107 with a half-time of 54 テンポ and a double-time of 214 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
La Gioconda / Act 1: Voce di donna ... a te questo rosario | Amilcare Ponchielli, Alfreda Hodgson, Montserrat Caballé, Agnes Baltsa, Regolo Romani, John del Carlo, Nicolai Ghiaurov, Luciano Pavarotti, National Philharmonic Orchestra, Bruno Bartoletti | E♭ Major | 1 | 5B | 89 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Mefistofele / Act 2: "Dai campi, dai prati" | Arrigo Boito, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F Major | 3 | 7B | 82 BPM | ||
Giuseppe Verdi: Rigoletto - Scorrendo uniti remota via (Chor der Höflinge) | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | A Major | 3 | 11B | 123 BPM | ||
歌劇「ホフマン物語」/舟歌 (『ライフ・イズ・ビューティフル』より) | スーザン・マカロック, アンヌ=マリー・オーウェンズ, チェコ交響楽団, ジュリアン・ビッグ | D Major | 1 | 10B | 80 BPM | ||
7 Canciones Populares Españolas: El pano moruno | Teresa Berganza, Juan Antonio Alvares Parejo | B Minor | 0 | 10A | 118 BPM | ||
March With Me | Vangelis, Montserrat Caballé | E Major | 4 | 12B | 98 BPM | ||
Prayer | Vangelis, Montserrat Caballé, Montserrat Martí | D Major | 2 | 10B | 93 BPM | ||
L'arlesiana / Act 2: "E la solita storia" - Live | Francesco Cilea, Luciano Pavarotti, Members Of The New York Philharmonic, Leone Magiera | F Major | 2 | 7B | 79 BPM |