Georg Philipp Telemann, Wayne Marshall, Ole Edvard Antonsen's 'Telemann: 12 Marches héroïques: No. 1, La majesté, TWV 50:31 (Arr. Alain for Trumpet and Organ)' came out on August 19, 2023. With Telemann: 12 Marches héroïques: No. 1, La majesté, TWV 50:31 (Arr. Alain for Trumpet and Organ) being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Pulling Out the Stops! Popular Pieces for Trumpet and Organ". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Telemann: 12 Marches héroïques: No. 1, La majesté, TWV 50:31 (Arr. Alain for Trumpet and Organ) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Telemann: 12 Marches héroïques: No. 1, La majesté, TWV 50:31 (Arr. Alain for Trumpet and Organ) by Georg Philipp Telemann, Wayne Marshall, Ole Edvard Antonsen having a テンポ of 64 with a half-time of 32 テンポ and a double-time of 128 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 5 | 7A | 103 BPM | ||
Telemann: Concerto for 2 Flutes and Violone in A Minor, TWV 53:a1: III. Loure | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Jacques Zoon, Klaus Stoll, Rainer Kussmaul | G Minor | 4 | 6A | 120 BPM | ||
Concerto 1 in D Minor, Op. 7: I. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 92 BPM | ||
Violin Concerto No.4 in E, TWV51: E3: 1. Affettuoso | Georg Philipp Telemann, Iona Brown, Denis Vigay, Alan Cuckston, Academy of St. Martin in the Fields | A Major | 4 | 11B | 111 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Quartet in G Major: I. Adagio | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 76 BPM | ||
Suite From Abdelzar: II. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 92 BPM | ||
Bassoon Concerto in C Major, FWV L:C2: I. Allegro | Johann Friedrich Fasch, Paolo Tognon, Capella Savaria, Pál Németh | F♯ Major | 2 | 2B | 103 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM |