Jascha Heifetz, Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick's 'Triakontameron, 30 Moods and Scenes in Triple Measure: No. 11. Alt-Wien (arr. by J. Heifetz for violin and piano)' came out on June 4, 2013. The duration of Triakontameron, 30 Moods and Scenes in Triple Measure: No. 11. Alt-Wien (arr. by J. Heifetz for violin and piano) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Triakontameron, 30 Moods and Scenes in Triple Measure: No. 11. Alt-Wien (arr. by J. Heifetz for violin and piano)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leopold Godowsky, Nazrin Rashidova's "Godowsky: 12 Impressions" album is number 16 out of 17. In terms of popularity, Triakontameron, 30 Moods and Scenes in Triple Measure: No. 11. Alt-Wien (arr. by J. Heifetz for violin and piano) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Triakontameron, 30 Moods and Scenes in Triple Measure: No. 11. Alt-Wien (arr. by J. Heifetz for violin and piano) by Jascha Heifetz, Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick to be Moderato (at a moderate speed) because the track has a tempo of 110 テンポ, a half-time of 55テンポ, and a double-time of 220 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Morceaux de fantaisie, Op. 3: No. 1 Elégie - Adapted by Mischa Maisky | Sergei Rachmaninoff, Mischa Maisky, Sergio Tiempo | E Minor | 1 | 9A | 91 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Hexapoda: No. 4. Jim Jives | Robert Russell Bennett, Jascha Heifetz, Emmanuel Bay | D Minor | 3 | 7A | 104 BPM | ||
Hexapoda: No. 5. Till Dawn Sunday | Robert Russell Bennett, Jascha Heifetz, Emmanuel Bay | C Major | 3 | 8B | 80 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 91 BPM | ||
Partita No. 2 in D Minor, BWV 1004: III. Sarabande | Johann Sebastian Bach, Jascha Heifetz | G Minor | 1 | 6A | 136 BPM | ||
Tango (Songs of Shakespeare, Book VIII, No. 3: Two maids wooing a man) | Mario Castelnuovo-Tedesco, Jascha Heifetz, Emanuel Bay | G Major | 3 | 9B | 95 BPM | ||
Sonata No. 6, Op. 30, No. 1 in A: Adagio molto espressivo | Ludwig van Beethoven, Jascha Heifetz | D Major | 2 | 10B | 77 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo: Vivacissimo | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 3 | 8B | 150 BPM |