On January 1, 1946, the song "Hexapoda: No. 4. Jim Jives" was released by Robert Russell Bennett, Jascha Heifetz, Emmanuel Bay. With Hexapoda: No. 4. Jim Jives being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jascha Heifetz, Salvador Tutti Camarata, Victor Young, Donald Voorhees's "Jascha Heifetz Miniatures, Vol. 1 (1944-1946)" album is number 12 out of 33. In terms of popularity, Hexapoda: No. 4. Jim Jives is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hexapoda: No. 4. Jim Jives by Robert Russell Bennett, Jascha Heifetz, Emmanuel Bay to be Andante (at a walking pace) because the track has a tempo of 104 テンポ, a half-time of 52テンポ, and a double-time of 208 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sabre and Spurs | John Philip Sousa, Royal Artillery Band, Keith Brion | F Major | 5 | 7B | 116 BPM | ||
Wishing Well Scene | Jerome Kern, Robert Russell Bennett, London Sinfonietta, John McGlinn | F Major | 0 | 7B | 78 BPM | ||
Suite française : III. Île-de-France | Gérard Besse, Big Band des équipages de la flotte de Toulon, Denis Fourio | C Major | 3 | 8B | 167 BPM | ||
American Salute (arr. P. Lang for wind ensemble) | Morton Gould, Phillip J. Lang, United States Marine Band, Michael J. Colburn | G Minor | 3 | 6A | 136 BPM | ||
Wine-Dark Sea (Symphony for Band): I. Hubris | John Mackey, The University of Texas Wind Ensemble, Jerry Junkin | B♭ Minor | 1 | 3A | 81 BPM | ||
Four Scottish Dances, Op. 59 - Produced | Malcolm Arnold, London Philharmonic Orchestra | A Minor | 3 | 8A | 81 BPM | ||
Full Fathom Five | Robert Russell Bennett | C Major | 2 | 8B | 91 BPM | ||
The Stars and Stripes Forever | John Philip Sousa, Royal Artillery Band, Keith Brion | A♭ Major | 2 | 4B | 116 BPM | ||
The Red Pony Suite: IV. Walk To The Bunkhouse | Aaron Copland, Buffalo Philharmonic Orchestra | F Major | 0 | 7B | 75 BPM | ||
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: I. Introduction | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B Major | 0 | 1B | 80 BPM |