Adelbert von Chamisso, Frank Arnold made "Kapitel 27 - Peter Schlemihls wundersame Reise" available on March 18, 2016. The duration of Kapitel 27 - Peter Schlemihls wundersame Reise is about 3 minutes long, at 3:10. Based on our data, "Kapitel 27 - Peter Schlemihls wundersame Reise" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 44 in the song's album "Peter Schlemihls wundersame Reise (Ungekürzte Lesung)". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Germany. Based on our statistics, Kapitel 27 - Peter Schlemihls wundersame Reise's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Kapitel 27 - Peter Schlemihls wundersame Reise by Adelbert von Chamisso, Frank Arnold having a テンポ of 128 with a half-time of 64 テンポ and a double-time of 256 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, FP 148: X. Fac ut portem | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | D♭ Major | 1 | 3B | 175 BPM | ||
A Piper | Charlotte Hoather, George Todica | G Major | 3 | 9B | 76 BPM | ||
Belshazzar HWV 61, Act I: Air - O sacred Oracles of Truth | George Frideric Handel, La Sfera Armoniosa, Oscar Verhaar, Mike Fentross | B Major | 3 | 1B | 181 BPM | ||
Auf Christi Himmelfahrt allein, BWV 128: V. Chorus "Alsdenn so wirst du mich" | Johann Sebastian Bach, Vox Luminis, Freiburger Barockorchester, Lionel Meunier | F♯ Major | 2 | 2B | 137 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 42, O liebe Seele, zieh die Sinnen, BWV 494 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Konstanze, dich wiederzusehen - O wie ängstlich, o wie feurig - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Peter Klein, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Missa in D-Dur, KV194: Kyrie | Chor und Orchester von St. Augustin, Alexander Kaimbacher, Klemens Sander, Cornelia Horak, Martina Steffl, Andreas Pixner | D Major | 2 | 10B | 91 BPM | ||
Le Carnaval du Parnasse, Act II Scene 5: 1er & 2ème Airs | Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Minor | 4 | 4A | 141 BPM | ||
Qual mormorio giocondo: Recitative: Qual mormorio giocondo | Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay | F♯ Major | 1 | 2B | 78 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: VI. Deposuit potentes | Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Wilfred Brown, Geraint Jones Orchestra | F Major | 1 | 7B | 85 BPM |