"Ich hatte viel Bekümmernis, BWV 21, Erster Teil: Sinfonia" by Johann Sebastian Bach, Amsterdam Sinfonietta, Simone Lamsma, Candida Thompson was released on March 8, 2024. The duration of Ich hatte viel Bekümmernis, BWV 21, Erster Teil: Sinfonia is about 3 minutes long, at 3:29. Based on our data, "Ich hatte viel Bekümmernis, BWV 21, Erster Teil: Sinfonia" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Bach: Ich hatte viel Bekümmernis, BWV 21, Erster Teil: Sinfonia and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Ich hatte viel Bekümmernis, BWV 21, Erster Teil: Sinfonia's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ich hatte viel Bekümmernis, BWV 21, Erster Teil: Sinfonia by Johann Sebastian Bach, Amsterdam Sinfonietta, Simone Lamsma, Candida Thompson is Allegro (fast, quick, and bright), since this song has a tempo of 138 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for Cor Anglais, Strings and Basso Continuo in G Major: II. Adagio | Johann Sebastian Bach, Dominik Wollenweber, Madeleine Carruzzo, Simon Roturier, Ignacy Miecznikowski, Solene Kermarrec, Ulrich Wolff, Raphael Alpermann | D♭ Major | 0 | 3B | 138 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Violin Concerto No. 2 "Vakara gaismā": III. Andante con amore - Excerpt | Pēteris Vasks, Sebastian Bohren, Munich Chamber Orchestra, Sergej Bolkhovets | D Minor | 2 | 7A | 82 BPM | ||
Sammartini: Recorder Concerto in F Major: III. Allegro assai | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: I. Andante Lento | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Tartini: 26 Violin Sonatas: No. 12 in G Major, B. G2: Aria del Tasso e gondoliera. "Lieto ti prendo e poi" (Transcr. Sollima for Cello and Orchestra) | Giuseppe Tartini, Giovanni Sollima, Il Pomo D'oro | B Major | 0 | 1B | 133 BPM | ||
Nocturnes, Op. 55: I. Andante (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | F Minor | 1 | 4A | 64 BPM | ||
Israel in Egypt, HWV 54, Pt I. "Lamentations of the Israelites for the Death of Joseph": I. Sinfonia | George Frideric Handel, Apollo's Fire, Jeannette Sorrell | F♯ Minor | 0 | 11A | 75 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 1. [No Tempo Indication] (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 2 | 8B | 91 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM |