"Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第3楽章" by Ludwig van Beethoven, のだめオーケストラ was released on January 30, 2010. Since Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第3楽章 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in ベートーヴェン 交響曲第7番イ長調作品92, so we believe that "Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第3楽章" is a single. Based on our statistics, Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第3楽章's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第3楽章 by Ludwig van Beethoven, のだめオーケストラ is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ドヴォルザーク:交響曲第9番《新世界より》 第3楽章 | Antonín Dvořák, Yutaka Sado, ベルリン・ドイツ交響楽団 | A Minor | 1 | 8A | 89 BPM | ||
TVアニメ「ピアノの森」 Piano Selection VIII ベートーヴェン: ピアノ・ソナタ第14番 嬰ハ短調 作品27-2「月光」 〜第3楽章 (アレンジ・バージョン) | Kai Ichinose | F♯ Minor | 3 | 11A | 81 BPM | ||
Peer Gynt Suite No.1, Op.46: ペール・ギュントの朝 | Edvard Grieg, ウィリアム・ジョーンズ, コンセル・ソンドール | E Major | 1 | 12B | 182 BPM | ||
Spring and Asura (Jin Kazama Version) | Dai Fujikura, Mao Fujita | D♭ Major | 1 | 3B | 92 BPM | ||
ボレロより - フィギュアスケート Ver. | Maurice Ravel, Eliahu Inbal, French National Radio Orchestra | A Major | 6 | 11B | 118 BPM | ||
Armida: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | D Major | 1 | 10B | 81 BPM | ||
ベートーヴェン:交響曲第7番イ長調作品92より 第4楽章 | Ludwig van Beethoven, のだめオーケストラ | A Major | 4 | 11B | 75 BPM | ||
Tchaikovsky: 白鳥の湖より情景 | Pyotr Ilyich Tchaikovsky, ウィリアム・ジョーンズ, コンセル・ソンドール | E Minor | 1 | 9A | 84 BPM | ||
Capriccio espagnol, Op. 34: III. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 2 | 6B | 133 BPM | ||
Liszt, Beethoven: Beethoven Symphonies, S. 464, No. 9 in D Minor: II. Molto vivace - Presto (After Symphony No. 9, Op. 125 "Choral") | Franz Liszt, Ludwig van Beethoven, Cyprien Katsaris | D Minor | 2 | 7A | 134 BPM |