"Mozart: Oiseaux, si tous les ans, K. 307" by Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy was released on March 29, 2024. With Mozart: Oiseaux, si tous les ans, K. 307 being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sabine Devieilhe, Mathieu Pordoy's "Mozart & Strauss: Lieder" album is number 10 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Oiseaux, si tous les ans, K. 307 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Oiseaux, si tous les ans, K. 307 by Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delibes: Lakmé, Act 1: "Viens, Mallika" - Duo des fleurs. "Sous le dôme épais" (Lakmé, Mallika) | Léo Delibes, Georges Prêtre, Gianna D'Angelo, Jane Berbié, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 170 BPM | ||
Requiem In D Minor, K. 626: Sequence: II. Tuba Mirum | Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Vladimir Ruso, Jaroslava Horska, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Wolfgang Amadeus Mozart | F Major | 0 | 7B | 94 BPM | ||
Poème d'amour: No. 3, Ouvre tes yeux bleus | Jules Massenet, Jessica Pratt, Vincenzo Scalera | G Major | 1 | 9B | 79 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": IX. Sopran solo, Tenor solo: Drum singe ich mit meinem Liede | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Chen Reiss, Patrick Grahl | E Major | 1 | 12B | 72 BPM | ||
Rêve d'amour, Op. 5, No. 2 | Gabriel Fauré, Sylvia McNair, Roger Vignoles | E♭ Major | 0 | 5B | 141 BPM | ||
Cimarosa: Artemisia, Act 2: "Entro quest'anima" (Artemisia) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | D Major | 0 | 10B | 73 BPM | ||
Spontini: Agnes von Hohenstaufen: "Der Strom wälzt ruhig seine dunklen Wogen" (Heinrich) | Gaspare Spontini, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
A te | Giacomo Puccini, Angela Gheorghiu, Vincenzo Scalera | G Major | 1 | 9B | 74 BPM | ||
Don Giovanni, K. 527, Act I: Dalla sua pace - Remastered 2024 | Wolfgang Amadeus Mozart, Anton Dermota, Karl Böhm, Wiener Philharmoniker | B♭ Major | 1 | 6B | 96 BPM | ||
3 Poèmes de Stéphane Mallarmé, M. 64: No. 2, Placet futile | Maurice Ravel, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM |