"Cimarosa: Artemisia, Act 2: "Entro quest'anima" (Artemisia)" by Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton was released on April 17, 2024. Cimarosa: Artemisia, Act 2: "Entro quest'anima" (Artemisia) is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. There are a total of 141 in the song's album "The Distinguished Conductor". In this album, this song's track order is #59. Furthermore, we believe that the track originated from United Kingdom. Cimarosa: Artemisia, Act 2: "Entro quest'anima" (Artemisia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cimarosa: Artemisia, Act 2: "Entro quest'anima" (Artemisia) by Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charpentier: Te Deum, H. 146: VIII. Te ergo quaesumus | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Handel: Messiah, HWV 56, Pt. 1: No. 12, Pastoral Symphony "Pifa" | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 1 | 8B | 83 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 1: "Ô toi qui prolongeas mes jours" (Iphigénie) | Christoph Willibald Gluck, Georges Prêtre, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | B♭ Major | 2 | 6B | 95 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Chanson. "Si je bois un peu, beaucoup" (Alfred, Caroline) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
L'Olimpiade, Act II Scene 13: Aria. "Torbido il ciel s’oscura" | Domenico Cimarosa, Mathilde Ortscheidt, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM | ||
Pagliacci: Act I: Nedda!...Silvio! A quest'ora che imprudenza! (Nedda, Silvio) | Ruggero Leoncavallo, Victoria de los Ángeles, Jussi Björling, George Cehanovsky, Paul Franke, Leonard Warren, Richard Wright, Robert Merrill, Columbus Boychoir, Robert Shaw Chorale, RCA Victor Orchestra, Renato Cellini | C Major | 2 | 8B | 86 BPM | ||
Requiem, Sanctus: I. Sanctus | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani | B♭ Major | 0 | 6B | 136 BPM | ||
Der Freischütz, Op. 77, Act 1 Scene 4 & 5: Nr. 2, Terzetto con Cori "Oh diese Sonne" (Max, Kuno, Kaspar, Chor) & Dialog | Carl Maria von Weber, René Jacobs, Freiburger Barockorchester, Maximilian Schmitt, Matthias Winckhler, Dimitry Ivashchenko, Zürcher Sing-Akademie | C Major | 3 | 8B | 130 BPM | ||
Keyboard Sonata No. 3 in A Major: I. Minuè | Domenico Cimarosa, Andrea Coen | A Major | 1 | 11B | 146 BPM | ||
L'Olimpiade, Act II Final Scene: Finale. "Quanto mai, per sì gran dono" | Domenico Cimarosa, Josh Lovell, Mathilde Ortscheidt, Maite Beaumont, Rocio Pérez, Marie Lys, Alex Banfield, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM |