"Symphony No. 1 in D, Op. 25 "Classical Symphony": 2. Larghetto" by Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev was released on January 1, 2006. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 29 in the song's album "Prokofiev: The Symphonies". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Symphony No. 1 in D, Op. 25 "Classical Symphony": 2. Larghetto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 1 in D, Op. 25 "Classical Symphony": 2. Larghetto by Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 in A Major: III. Scherzo: Prestissimo | Alexander Borodin, Budapest Haydn Quartet | C Major | 2 | 8B | 109 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | C Minor | 1 | 5A | 94 BPM | ||
Entry of the Gods into Valhalla | Richard Wagner, London Symphony Orchestra, Yondani Butt | D♭ Major | 0 | 3B | 51 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 2. Adagio sostenuto | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | E Major | 1 | 12B | 141 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 3. Allegro scherzando | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 135 BPM | ||
Eine Alpensinfonie, Op.64, TrV 233: 20. Sonnenuntergang | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | B Major | 3 | 1B | 78 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: I. Nocturne. Moderato | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
Symphony No. 3 in D Minor, Part II: II. Tempo di menuetto | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 71 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": II. Vivace non troppo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | F Major | 2 | 7B | 135 BPM | ||
Brahms: Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso. Quasi andantino | Johannes Brahms, Berliner Philharmoniker, Sir Simon Rattle | D♭ Major | 2 | 3B | 140 BPM |