"Entry of the Gods into Valhalla" by Richard Wagner, London Symphony Orchestra, Yondani Butt was released on November 1, 2011. Since Entry of the Gods into Valhalla is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Works for Orchestra by Richard Wagner, London Symphony Orchestra, Yondani Butt. The song's track number on the album is #4 out of 7 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Entry of the Gods into Valhalla is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Entry of the Gods into Valhalla by Richard Wagner, London Symphony Orchestra, Yondani Butt has a tempo of 51 beats per a minute, the tempo markings of this song would be Lento (slowly). With Entry of the Gods into Valhalla being at 51 テンポ, the half-time would be 26 テンポ with a double-time of 102 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in A, Op. 92: 2. Allegretto | Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti | E Minor | 1 | 9A | 63 BPM | ||
Saint-Saens: The Carnival of the Animals - A zoological fantasy: The Aquarium | Camille Saint-Saëns, John Ogdon, Louis Frémaux, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 75 BPM | ||
La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.8. In the Hall of the Mountain King | Edvard Grieg, Margaret Lisi, San Francisco Symphony Chorus, Kaare Myksvoll, Maria Meyer, Kristina Rapp, Gregory Nybo, David Hess, San Francisco Symphony, Herbert Blomstedt | G Major | 1 | 9B | 116 BPM | ||
Götterdämmerung Funeral Music | Richard Wagner, London Symphony Orchestra, Yondani Butt | F Minor | 0 | 4A | 83 BPM | ||
Alexander Nevsky, Op. 78: III. The Crusaders In Pskov | Sergei Prokofiev, London Symphony Chorus, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 104 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Mazurka in A minor, Op. 17, No. 4 | Frédéric Chopin, Władysław Szpilman, Andrzej Szpilman | A Minor | 0 | 8A | 60 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM |