"Vaughan Williams: Concerto for Two Pianos and Orchestra: III. (a) Fuga cromatica. Allegro" by Ralph Vaughan Williams, Sir Adrian Boult, Victor Babin, Vitya Vronsky, London Philharmonic Orchestra was released on September 3, 1999. With this song being about 5 minutes long, at 4:39, "Vaughan Williams: Concerto for Two Pianos and Orchestra: III. (a) Fuga cromatica. Allegro" by Ralph Vaughan Williams, Sir Adrian Boult, Victor Babin, Vitya Vronsky, London Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vaughan Williams: Job, A Masque for Dancing & Concerto for two Pianos by Ralph Vaughan Williams, Sir Adrian Boult, London Philharmonic Orchestra, London Symphony Orchestra. The song's track number on the album is #3 out of 16 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Vaughan Williams: Concerto for Two Pianos and Orchestra: III. (a) Fuga cromatica. Allegro's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vaughan Williams: Concerto for Two Pianos and Orchestra: III. (a) Fuga cromatica. Allegro by Ralph Vaughan Williams, Sir Adrian Boult, Victor Babin, Vitya Vronsky, London Philharmonic Orchestra has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Vaughan Williams: Concerto for Two Pianos and Orchestra: III. (a) Fuga cromatica. Allegro being at 129 テンポ, the half-time would be 64 テンポ with a double-time of 258 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 1/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Minor | 0 | 2A | 59 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Concerto for Oboe and Strings: 1. Rondo Pastorale | Ralph Vaughan Williams, Celia Nicklin, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
A Downland Suite (Arr. for String Orchestra): II. Elegy. Lento espressivo | John Ireland, Richard Hickox, City of London Sinfonia | E♭ Major | 0 | 5B | 79 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso | Antonín Dvořák, Peter Breiner | G Major | 1 | 9B | 179 BPM | ||
Moderen (The Mother), Op. 41, FS 94: Tagen letter (The Fog is lifting) | Carl Nielsen, Ensemble MidtVest | C Major | 0 | 8B | 110 BPM | ||
Concord | Benjamin Britten, Matthew Barley | B♭ Major | 0 | 6B | 167 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM |