"Esther, HWV 50a: O Jordan, Jordan, Sacred Tide (Aria - Priest of the Israelites)" by George Frideric Handel, Michael Chance, Harry Christophers, The Sixteen was released on October 22, 1995. Since Esther, HWV 50a: O Jordan, Jordan, Sacred Tide (Aria - Priest of the Israelites) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 40 in Esther (1718 version) by George Frideric Handel, The Sixteen, Harry Christophers. Esther, HWV 50a: O Jordan, Jordan, Sacred Tide (Aria - Priest of the Israelites) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Esther, HWV 50a: O Jordan, Jordan, Sacred Tide (Aria - Priest of the Israelites) by George Frideric Handel, Michael Chance, Harry Christophers, The Sixteen is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Instrumental Music from Dioclesian, Z. 627: 2. Preludio | Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra | B Minor | 0 | 10A | 114 BPM | ||
Handel: Theodora, HWV 68, Pt. 1 Scene 1: Recitative. "Vouchsafe, Dread Sir" (Didymus, Valens) | George Frideric Handel, Maxim Emelyanychev, John Chest, Paul-Antoine Bénos-Djian, Il Pomo D'oro | D♭ Major | 1 | 3B | 98 BPM | ||
Suite en La: Gavotte | Jean-Philippe Rameau, Alexandre Tharaud | A Minor | 0 | 8A | 82 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Dixit Dominus, HWV 232: 3. Tecum principium in die virtutis | George Frideric Handel, Arleen Auger, Orchestra of Westminster Abbey, Simon Preston | B Minor | 1 | 10A | 98 BPM | ||
Israel in Egypt, HWV 54: Part I, The Lamentation of the Israelites for the death of Joseph: The sons of Israel do mourn (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Song of Songs - Osculetur me osculo oris sui | Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers | C Minor | 1 | 5A | 130 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Keyboard Concerto in E Major, BWV 1053: I. Allegro | Johann Sebastian Bach, Christoph Anselm Noll, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Minor | 3 | 12A | 94 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: Ruht wohl, ihr heiligen Gebeine (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 132 BPM |