"Oblivion - Arr. pour piano et clarinette" by Astor Piazzolla, Florent Héau, Marcela Roggeri was released on September 23, 2016. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Une histoire de Tango (Arr. pour piano et clarinette)". In this album, this song's track order is #1. Based on our statistics, Oblivion - Arr. pour piano et clarinette's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oblivion - Arr. pour piano et clarinette by Astor Piazzolla, Florent Héau, Marcela Roggeri having a テンポ of 138 with a half-time of 69 テンポ and a double-time of 276 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM | ||
Maria Carolina | Antonio Lauro, Adam Holzman | A Minor | 1 | 8A | 91 BPM | ||
Dido and Aeneas, Z. 626: When I Am Laid in Earth (Arr. Trovesi for Chamber Ensemble) | Henry Purcell, Gianluigi Trovesi, Stefano Montanari, Stefano Rossi, Claudio Andriani, Francesco Galligioni, Luca Bandini, Riccardo Balbinutti, Ivano Zanenghi | G Minor | 0 | 6A | 75 BPM | ||
Siete canciones populares españolas: No. 5 Nana | Manuel de Falla, Amy Dickson | A Major | 0 | 11B | 69 BPM | ||
Estonian Lullaby | Arvo Pärt, Anne Akiko Meyers, Reiko Uchida | D Major | 0 | 10B | 52 BPM | ||
Quintette avec clarinette in B Minor, Op. 115: IV. Con moto | Johannes Brahms, Florent Héau, Quatuor Voce | G Major | 1 | 9B | 79 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
A Don Agustin Bardi | Horacio Salgán, Die 12 Cellisten der Berliner Philharmoniker | G Minor | 3 | 6A | 120 BPM | ||
Préludes / Book 1, L. 117: La fille aux cheveux de lin (Arr. Koncz) | Claude Debussy, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 72 BPM | ||
Las Cuatro Estaciones Porteñas: III. Invierno Porteño | Gryphon Trio | E♭ Major | 2 | 5B | 79 BPM |