"Préludes / Book 1, L. 117: La fille aux cheveux de lin (Arr. Koncz)" by Claude Debussy, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin was released on January 1, 2013. The duration of Préludes / Book 1, L. 117: La fille aux cheveux de lin (Arr. Koncz) is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Préludes / Book 1, L. 117: La fille aux cheveux de lin (Arr. Koncz)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Portraits - The Clarinet Album". In this album, this song's track order is #4. Préludes / Book 1, L. 117: La fille aux cheveux de lin (Arr. Koncz) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Préludes / Book 1, L. 117: La fille aux cheveux de lin (Arr. Koncz) by Claude Debussy, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Violin Sonata in A major, FWV 8: I. Allegretto ben moderato | César Franck, Joshua Bell, Jeremy Denk | A Major | 0 | 11B | 66 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Arr. for Cello and Orchestra) | Pyotr Ilyich Tchaikovsky, Jan Vogler, Helmut Branny | B Major | 1 | 1B | 82 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 1 | 11B | 87 BPM | ||
Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek Philharmonic | B♭ Major | 1 | 6B | 79 BPM | ||
Slavonic Dance No. 2 in E minor, Op. 72 | Boston Symphony Orchestra, Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | E Minor | 1 | 9A | 70 BPM | ||
Nocturne No.1 In B Flat Minor, Op.9 No.1 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 75 BPM | ||
Adoration (Version for Solo Violin and String Orchestra) | Florence Beatrice Price, Daniel Hope, Zürcher Kammerorchester | D Major | 1 | 10B | 80 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |