Staatskapelle Dresden, Otmar Suitner, Rolf Apreck, Theo Adam's 'Die verkaufte Braut, JB 1:100, Act II: "Komm, mein Söhnchen, auf ein Wort - Wer in Lieb' entbrannt"' came out on 1965. Since Die verkaufte Braut, JB 1:100, Act II: "Komm, mein Söhnchen, auf ein Wort - Wer in Lieb' entbrannt" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Smetana: Die verkaufte Braut (Highlights - Sung in German)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Based on our statistics, Die verkaufte Braut, JB 1:100, Act II: "Komm, mein Söhnchen, auf ein Wort - Wer in Lieb' entbrannt"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die verkaufte Braut, JB 1:100, Act II: "Komm, mein Söhnchen, auf ein Wort - Wer in Lieb' entbrannt" by Staatskapelle Dresden, Otmar Suitner, Rolf Apreck, Theo Adam having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Wagner: Rienzi, WWV 49, Act 1 Scene 2: "Die Stunde naht, mich ruft mein hohes Amt" (Rienzi) - No. 3, Duett, "Er geht und läßt dich meinem Schutz" (Adriano, Irene) | Richard Wagner, Heinrich Hollreiser, Staatskapelle Dresden | E♭ Major | 1 | 5B | 94 BPM | ||
Suite algérienne, Op. 60: IV. Marche militaire française | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 118 BPM | ||
Die Zauberflöte, K.620 / Act 1: "Der Vogelfänger bin ich ja" | Wolfgang Amadeus Mozart, Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle | G Major | 1 | 9B | 78 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
The Four Seasons - Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Major | 1 | 7B | 109 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Major | 2 | 8B | 96 BPM | ||
Messe in B Minor, BWV 232: Gloria. Quoniam tu solus sanctus | Johann Sebastian Bach, Theo Adam, Staatskapelle Dresden, Rudolf Mauersberger | D Major | 2 | 10B | 137 BPM |