"Madrigals, Book 9: Alcun non mi consigli, SV 169" by Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld, Hugo Naessens, Falco van Loon, Bas Ramselaar was released on August 25, 2017. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld's "Monteverdi: Madrigali, Libro IX" album is number 7 out of 19. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Madrigals, Book 9: Alcun non mi consigli, SV 169 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madrigals, Book 9: Alcun non mi consigli, SV 169 by Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld, Hugo Naessens, Falco van Loon, Bas Ramselaar to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Responsories for Maundy Thursday Nocturn 2: I. Amicus meus osculi me tradidit signa | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Minor | 1 | 6A | 79 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Sanctissima Virgo (Sacrae cantiones una, duabusque vocibus coninendae, 1618, J. Cassiani, Modena) | Philippe Jaroussky, Ensemble Artaserse | G Minor | 1 | 6A | 78 BPM | ||
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Membra Jesu nostri, BuxWV 75: Ad pectus. Sicut modo geniti infantes rationabiles | Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin | C Major | 2 | 8B | 79 BPM | ||
Orfeo ed Euridice, Wq. 30, Act II, Scene 2: Symphonie - Arioso "Che puro ciel, che chiaro sol" (Orfeo) | Christoph Willibald Gluck, James Bowman, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire, Chœur De Chambre De Namur | B Minor | 2 | 10A | 89 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIb. Magnificat "Et exultavit spiritus meus" | Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Reinoud Van Mechelen, Samuel Boden, Collegium Vocale Gent | B Minor | 1 | 10A | 167 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM |