Stefano Donaudy, Enrico Caruso, Josef Pasternack's 'Vaghissima sembianza' came out on 1990. The duration of Vaghissima sembianza is about 3 minutes long, at 3:09. Based on our data, "Vaghissima sembianza" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Vaghissima sembianza is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vaghissima sembianza by Stefano Donaudy, Enrico Caruso, Josef Pasternack is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O del mio amato ben | Stefano Donaudy, İnarə Babayeva | A♭ Major | 1 | 4B | 109 BPM | ||
Adriana Lecouvreur Act I, Scene 5: La dolcissima effigie | Francesco Cilea, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Son lo spirito che nega - from Mefistofele | Arrigo Boito, Erwin Schrott, Daniele Rustioni | C Major | 3 | 8B | 90 BPM | ||
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
Mazeppa, TH 7 / Act 3: "Spi, mladyenits moy prekrasniy" (Maria's Lullaby) | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Major | 1 | 3B | 76 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Ailyn Perez, Iain Burnside | E Major | 1 | 12B | 78 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Il Pirata, Act II: Tu m'apristi in cor ferita | Vincenzo Bellini, Felice Romani, Franco Vassallo, Marina Rebeka, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act II Scene 3: Mein Sehnen, mein Wahnen (Fritz, Women's Choir) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | D♭ Major | 1 | 3B | 169 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM |