"The Water of Tyne (arr. Elizabeth Poston)" by Traditional, Elizabeth Poston, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood was released on September 25, 2020. The duration of The Water of Tyne (arr. Elizabeth Poston) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. The Water of Tyne (arr. Elizabeth Poston)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 17 in All Things Are Quite Silent by The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Water of Tyne (arr. Elizabeth Poston) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Water of Tyne (arr. Elizabeth Poston) by Traditional, Elizabeth Poston, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ad Completorium: Canticum Simeonis "Nunc dimittis" | Traditional, Cistercian Monks of Stift Heiligenkreuz | F Major | 0 | 7B | 88 BPM | ||
Five Spirituals from "A Child of Our Time": I. Steal Away | Michael Tippett, Christopher Bell, National Youth Choir of Scotland, Royal Scottish National Orchestra | G Major | 2 | 9B | 84 BPM | ||
The Lake Isle of Innisfree | Eleanor Daley, Texas All-State Women's Choir, Robin Brockway, Morna Edmundson | D♭ Major | 1 | 3B | 102 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
Hymn - Love Divine (Blaenwern) | Charles Wesley, William Penfrow Rowlands, The Choir Of Westminster Abbey, James O'Donnell, The Choir of Her Majesty's Chapel Royal, St James's Palace, Doctor Andrew Grant, Robert Quinney | F Major | 2 | 7B | 171 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Confirma hoc Deus | Jacobus Gallus, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 66 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
Magnificat in D Major | Herbert Brewer, Gloucester Cathedral Choir, Mark Lee, John Sanders | F Major | 0 | 7B | 140 BPM |