Richard Wagner, Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan made "Götterdämmerung, WWV 86D / Dritter Aufzug: "Starke Scheite schichtet mir dort"" available on January 1, 1970. Since Götterdämmerung, WWV 86D / Dritter Aufzug: "Starke Scheite schichtet mir dort" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Götterdämmerung by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan. The song's track number on the album is #9 out of 48 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Götterdämmerung, WWV 86D / Dritter Aufzug: "Starke Scheite schichtet mir dort"'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Götterdämmerung, WWV 86D / Dritter Aufzug: "Starke Scheite schichtet mir dort" by Richard Wagner, Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Götterdämmerung, WWV 86D / Dritter Aufzug: "Starke Scheite schichtet mir dort" being at 135 テンポ, the half-time would be 68 テンポ with a double-time of 270 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio Espagnol: Variazioni | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | F Major | 1 | 7B | 81 BPM | ||
Symphony No. 1 in D Major: 3. Feierlich und gemessen, ohne zu schleppen - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 56 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 66 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom | Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White | C Major | 2 | 8B | 138 BPM | ||
Norma: Overture | Vincenzo Bellini, Filarmonica della Scala, Riccardo Chailly | G Major | 2 | 9B | 144 BPM | ||
Verdi: Messa da Requiem: XIX. Libera me | Giuseppe Verdi, Carlo Maria Giulini, Elisabeth Schwarzkopf, The Philharmonia Chorus, Philharmonia Orchestra | B Minor | 1 | 10A | 137 BPM | ||
Prince Igor (Knyaz Igor): Act III: Polovtsian March | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A♭ Major | 3 | 4B | 128 BPM |