"Am Seegestade, Op. 17. Concert Etude - Welte-Mignon 370" by Bedřich Smetana, Peter Phillips, Teresa Carreño was released on March 5, 2024. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Peter Phillips, Johann Strauss II, Bedřich Smetana, Cyril Scott, Léo Delibes, Enrique Granados, Camille Saint-Saëns, Pyotr Ilyich Tchaikovsky's "Kunstlerleben. Piano Music from the Golden Age" album is number 2 out of 22. On top of that, Germany appears to be the country where this track was created. Am Seegestade, Op. 17. Concert Etude - Welte-Mignon 370 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Am Seegestade, Op. 17. Concert Etude - Welte-Mignon 370 by Bedřich Smetana, Peter Phillips, Teresa Carreño to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite Suite, Op. 1: No. 6, Serenade - Welte-Mignon 1042 | Alexander Borodin, Peter Phillips, Anatol von Rössel | D♭ Major | 1 | 3B | 71 BPM | ||
Macbeth and the Witches, JB 1:75 | Bedřich Smetana, Jitka Čechová | D Major | 1 | 10B | 110 BPM | ||
Albéniz: Iberia, Cuaderno I: No. 3, El Corpus en Sevilla | Isaac Albéniz, Michel Block | B Major | 4 | 1B | 70 BPM | ||
Valses nobles et sentimentales, M. 61: V. Presque lent, dans un sentiment intime | Maurice Ravel, Angela Hewitt | D♭ Major | 0 | 3B | 65 BPM | ||
Ballades, Op. 10: No.3 in B Minor - Duo-Art 5641 | Johannes Brahms, Peter Phillips, Carl Friedberg | E♭ Major | 1 | 5B | 80 BPM | ||
Extra Magic Hour Amagi Brilliant Park OP | Kevin Animenzz, Animenzz | A Major | 1 | 11B | 74 BPM | ||
Études d'exécution transcendante, S. 139: No. 4, Mazeppa | Franz Liszt, Anna Leyerer | F♯ Major | 3 | 2B | 108 BPM | ||
Davidsbündlertänze, Op. 6: No. 17, Wie aus der Ferne | Robert Schumann, Tiffany Poon | C Major | 0 | 8B | 104 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 1 in C Minor. Allegro molto moderato | Franz Schubert, Cyprien Katsaris | F Minor | 2 | 4A | 132 BPM | ||
Au Matin, Op. 83 - Duo-Art 56847 | Benjamin Godard, Peter Phillips, Clarence Adler | B♭ Minor | 1 | 3A | 69 BPM |